Ladder of tablecloths, 2024, 14 x 14 x 11 in.
ink and gold leaf, paper, sun-dried, hardened, and amalgamated with resin.
Waterfall, 2023, 100 x 50 in.
Scroll of hand-shredded Synthetic paper painted with markers, acrylic painted PU mesh over custom wood, metal hardware
Ortega y Gasset Projects | 2023 | photo by NYC Crit Club
Circular Scroll, 2024, 36 x 39 in.
Paper, wood, mesh, acrylic, spray-paint.
Stormation, 2024, 48 x 60 in.
Canvas, paper, ink, acrylic, house paint, screws, and bolts.
Being With Antlers, 2024
Paper, wood, acrylic, 20 x 18 x 4 in.
An inverted human face made with hardened paper strips. The antlers, an organic formation, are portrayed with straight lines. I reflect on taking on the identity of an animal, such as a deer, with a growing element from its forehead. The antlers represent antennas - the recipient or transmitters of energy.
Drifting, 2023, 14 x 6 x 3 in.
Cotton and cardboard pulp, calf parchment, acrylic paint, and binder.
Ladder of tablecloths, 2024, 14 x 14 x 11 in.
300LB watercolor paper painted with ink and gold leaf, water-sculpted, sun-dried, hardened, and amalgamated with resin.
Tree Diagram, 2023, 100 x 36 in.
Acrylic-painted PU mesh, wood, leather, rock and duct tape.
Conversing Matter, 2022, 55 x 42 x 8 in.
Cotton Paper sliced and hardened with acrylic binder and paint, paper-wrapped wood.
Shield, 2024, 70 x 70 in.
Paper, canvas, wood, acrylic, color chips, screws and plastic anchors.
Smoke Pillar, 2024
45 x 18in, PU mesh, wood, paper, leather, monofilament, acrylic.
My interest was the creation of an intangible substance - something that feels like a wall of smoke - blocking vision but eluding touch. I stitched together Mesh hand-cut spheres with nylon monofilament. The arrows are a fatal weapon adding motion to the static pillar. The challenge was figuring out the weight distribution along a dozen meeting points of the delicate mesh, so the heaviness of the wood arrows does not distort the flexible mesh.
Waterfall, 2023, 100 x 50 in.
Scroll of hand-shredded Synthetic paper painted with markers, acrylic painted PU mesh over custom wood, metal hardware
#2 (Tablecloths ladder series) , 2024, 16 x 19 x 14 in.
Water-sculpted paper, ink
Inter-form 48 x 40 x 3 in
Paper hardened and painted with medieval ink and acrylic marker, strings made of calf parchment, wood wrapped with paper, tape, and metal knots & bolts.
Four Winged World 10 x 2 x 14 in.
Paper molded into a topography of a rectangle, cut and punctured, painted with watercolor and acrylic, faux-stitches with pen.
Spined and Scored, 2023
Plant pulp, calf parchment, graphite, and ink.
17 x 13 x 3 in. (43 x 33 x 7.6 cm)
Welcome Home 52 x 40 in
One piece of Paper painted with medieval ink and acrylic, sliced and tied to a mesh-wrapped wooden frame.
The Soft Descent of The Hardened 24 x 16 x 13 in
3 tiers of cotton pulp, strings made of calf parchment painted with watercolor, linen top reinforcement, rock and acrylic.
Letters in an unknown language (Unification of calf remnants using cuts and water), 2022, 9 x 12 x 2 in.
Calf parchment remains from a Tora-Scribe studio (artist’s father), paper, and color chips.
Past Present, 2023, 24 x 17 x 2 in.
Paper made of the artist’s old drawings, braided calf parchment, and wood.
Drifting Continent, 2023, 24 x 12 x 3 in.
Paper made of the artist’s old drawings, calf parchment, graphite, and wood.
Cloud parachute, 2022, 36 x 90 in.
Drilled paper. calf parchment, and cotton rope.
Lace Corset, 2020, 16 x 20 in.
Punctured canvas, acrylic, wood.